Harry Coen, who has died on his 67th birthday, was a journalist whose unique career trajectory took him from the news desk of Gay News to the editor’s chair of The Catholic Herald.
Many found the latter appointment all the more remarkable because they wrongly assumed, owing to his last name, that he was Jewish. In fact, he was a convinced mystical humanist and lapsed Roman Catholic who had profound disagreements with nearly all aspects of Church doctrine.
This proved no barrier to his promotion when the then Herald editor Cristina Odone took extended leave. Stepping in temporarily to smooth the transition, Coen ended up as editor for two years, striving despite his theological misgivings to produce a paper of the highest quality.
Among those who struggled to digest the announcement of his editorship was Coen’s old friend and colleague Frank Johnson. When informed by Coen of his new title, Johnson replied: “But that’s impossible, dear boy, you are an apostate pervert.”
Harry Peter Raymond Coen was born in Dublin on January 23 1945 to William and Kathleen Gray. Kathleen died when Harry was three, shortly after giving birth to his twin siblings Tom and Anne, and it was decided to farm the children out to different wings of the family. Harry was taken in by cousins, Maureen and Patrick Coen, whom he regarded throughout his life as his parents.
The Coens moved to Birmingham when Harry was 10 and he was educated at a Catholic grammar school in the city before taking a degree at Durham University. It was a holiday job on the now defunct Consett Guardian that led him into a life of journalism. He became a district reporter for the Northern Echo, and in 1970, while running its Redcar office, he met David Thornton, with whom he was to share the rest of his life.
After organising various unorthodox cultural events in the north-east (including an open-air rock concert by the counter-cultural Edgar Broughton Band which was much frowned on by the local constabulary) Coen and Thornton moved to London, where in 1979 Coen became news editor on Gay News. A tireless campaigner for gay rights, he happily appeared on a BBC news programme in the early 1980s when hysteria over Aids was at its height.
By that time he had moved to a subediting job at The Sunday Times, and such was the ignorance about Aids that when he next appeared on “the stone” (the floor of the composing room where pages were made up in hot metal), printers there refused to work with him. Coen was able to laugh off the episode, and his appearance on the show had one major upside: he made contact with his long-lost brother Tom, who saw the broadcast and traced Harry. The two were devoted to one another ever after.
Shifts at The Sunday Times led to a lengthy career in Fleet Street. Stints followed on The Observer, The Daily and The Sunday Telegraphs, and the Daily and Sunday Express.
His time on The Sunday Telegraph is famous for the manner in which it ended. Shortly after becoming editor, Dominic Lawson gave a party for staff at his home. There were two instructions: do not bring anyone and do not smoke.
Coen arrived very drunk with a busty barmaid from Canary Wharf on his arm and proceeded to drop ash all over the carpets. When fish and chips was served, wrapped in copies of The Sunday Telegraph, Coen lurched up to Lawson, jabbed him in the chest and said: “You are now the editor of The Sunday Telegraph. You should be able to do better than this.” Lawson told him to leave.
He did, and moved to The Daily Telegraph, where he became famous as a “rewrite man” – a desk editor who could take the copy of the hurried, the inexperienced or the prosaic and make it sing. He was so proud of this reputation that he often threatened to publish a book in which he would display, side by side, the unedited copy of the world’s most famous reporters, alongside the versions he had polished and sent to press.
His talents made him a vital resource for editors. But by his own admission he was not always able to work miracles. When once working with the printers on a story that was far too long, Coen was frantically trimming the excess as a deadline loomed.
“Come on, Harry,” the compositor yelled. “Get on with it.” Coen, stepping back with the outraged grimace of a sitcom queen, responded: “I may be a fairy, but I haven’t got a ------- wand.”
Beyond journalism, Coen loved Burgundy and its wines. Colleagues often pressed cash into his hands in exchange for a case or two from his frequent trips to the region. But it seems certain that the generous tasting sessions Coen held eliminated any profit he might have seen from the scheme.
Harry Coen’s broad face would often break into a smile that revealed gappy, uneven teeth the grey hair of his beard was yellowed by cigarette smoke and his love for wine and food added progressively to his girth. Despite this somewhat shambling appearance, his orderly mind was reflected by the neat italic hand in which he drew up news lists.
Harry Coen and David Thornton, himself a sub on various titles, retired to the Côte d’Or region of Burgundy in 2005. There they pursued the gentle pastimes of writing, playing music and turning a huge cow pasture into an English garden. Their small patch of vines provided sufficient even for two well-trained thirsts.
Harry Coen died of cancer in Beaune. At his adoptive village of La Rochepot, the 11th-century church tolled its passing bell three times each day in the week leading up to his funeral. David Thornton survives him.
Harry Coen, born January 23 1945, died January 23 2012
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