Thursday 23 June 2016

Anton Yelchin, actor

Anton Yelchin in Star Trek (2009)
Anton Yelchin in Star Trek (2009)
Anton Yelchin, who has died in an accident aged 27, was best known for playing Pavel Chekov in the most recent series of Star Trek films, but he had also made his mark with a striking range of performances in independent cinema.
Like many of the actors in J J Abrams’s “re-boot” of the Star Trek franchise in 2009, Yelchin was perfectly cast as the 17-year-old whizz-kid navigator aboard Enterprise. The character, who is Russian, had been included in the original television series in a hopeful nod to a post-Cold War future.
Anton Yelchin in Star Trek
Anton Yelchin in Star Trek 
Yet while Walter Koenig, who had portrayed him in the television series, is not Russian, Yelchin had been born in Russia. But he had grown up in America, and so had to adopt a Russian accent, often for comic effect. As cultured and likeable off-screen as he was on it, Yelchin also appeared in the film’s sequel and had reprised the role for the forthcoming Star Trek Beyond.
An only child, Anton Yelchin was born in St Petersburg (then Leningrad) on March 11 1989. His parents were both skaters with the city’s ice ballet and at one stage the third-ranked pair in the Soviet Union. They qualified for the 1972 Winter Olympics but were not allowed to travel to the Games.
This was perhaps because they were Jewish and it was feared that they would defect. Six months after their son’s birth they were given refugee status by the US and settled in California, where they worked as skating coaches. Anton inherited none of their athletic ability and his mother began taking him to acting classes to overcome his shyness.
When he was still an infant, a passer-by told his mother that he was beautiful and would become an actor. He quickly found work in television commercials and made his screen debut in 2001 aged 12 in Along Came a Spider, a thriller starring Morgan Freeman as the detective Alex Cross.
Anton Yelchin in 2014
Anton Yelchin in 2014 
Much more significant for his development was the other film he made that year. In Hearts in Atlantis, based on a Stephen King story, he starred with Anthony Hopkins, whom he insisted on calling “Sir Anthony” on set. Hopkins taught him to play the Moonlight Sonata on the piano, while Albert Finney introduced him to the music of the Beatles.
In his teens, Yelchin appeared in Steven Spielberg’s television mini-series Taken, about alien abduction, as well as in episodes of shows such as Law & Order and Criminal Minds. In 2007 he enrolled at the University of Southern California to read Film, but never began the course after landing his first two starring roles.
As the titular Charlie Bartlett, a Ferris Bueller-ish smart alec, Yelchin held his own with Robert Downey, Jr, and revealed a talent for comedy. Meanwhile for Alpha Dog, with Amber Heard, he earned praise for his portrayal of a real-life murder victim.
Besides the Star Trek series, he got another taste of blockbuster franchises when cast in Terminator: Salvation (2009) as the teenage incarnation of the father of the hero of the series, John Connor, played by Christian Bale. The shoot made the headlines when Bale was recorded ranting at a cameraman who had earned his displeasure. Yet in interviews Yelchin stoutly defended his co-star’s reputation, as he did Mel Gibson’s after the star was accused of domestic violence while the pair were making a film about alcoholism, The Beaver (2011).
Thereafter Yelchin continued to demonstrate his versatility in a series of largely independent films, shedding some of the gawkiness that had characterised him and growing towards leading man status.
In Like Crazy, with Felicity Jones and Jennifer Lawrence, he evoked the agonies of love at long distance. Again in 2011, he was the suburban boy who finds that his neighbour, Colin Farrell, is a vampire in the under-appreciated remake of Fright Night.
In Only Lovers Left Alive, he encountered more vampires, this time Tilda Swinton and Tom Hiddleston, amid the music scene in Detroit, while in his last major role he was pitched into more horror as the leader of a punk band trapped by neo-Nazis (led by Star Trek’s Patrick Stewart) in the smartly-written Green Room (2015).
Yelchin was killed by his car after it rolled back on to him in his driveway in Los Angeles when he got out to open the gate. He was not married.
Anton Yelchin, born March 11 1989, died June 19 2016

Saturday 18 June 2016

Jo Cox, Labour MP

Jo Cox
Jo Cox 
Jo Cox, who has died aged 41, was a former head of policy and head of humanitarian campaigning for the global charity Oxfam who was elected Labour MP for Batley and Spen at the last general election; she established herself as a rising star of her party, albeit one unlikely to prosper under its current leadership.
Before she entered Parliament, Jo Cox had spent a decade working in some of the world’s most dangerous war zones, and in Parliament she made a name for herself campaigning to find a solution to the conflict in Syria and demanding the government do more to ensure that humanitarian aid reached people who needed it, including calling for RAF airdrops. She also established and became co-chairman of a new all-party parliamentary group on Syria.
“I’ve been in some horrific situations where women have been raped repeatedly in Darfur,” she told the Yorkshire Post in December last year. “I’ve been with child soldiers who have been given Kalashnikovs and kill members of their own family in Uganda. In Afghanistan I was talking to Afghan elders who were world weary of a lack of sustained attention from their own Government and from the international community to stop problems early. That’s the thing that all of that experience gave me – if you ignore a problem it gets worse.”
Her concern led her to put aside party divisions to campaign with leading Conservatives, though when in October last year she wrote a joint article with the former international development secretary Andrew Mitchell for The Observer, calling for humanitarian intervention in Syria with the establishment of “safe havens”, she was attacked by Labour’s international development spokesman, Diane Abbott, for siding with a Tory.
Jo Cox wins Batley and Spen last year
Jo Cox wins Batley and Spen last year 
She had already upset the Corbynite wing of the party by voting for the Blairite Liz Kendall in the leadership election, even though she had been one of 36 Labour MPs to nominate Jeremy Corbyn as a candidate.
In May this year she went on to co-write a column in The Guardian expressing regret for nominating the Labour leader and criticising his leadership. “Weak leadership, poor judgment and a mistaken sense of priorities have created distraction after distraction and stopped us getting our message across,” she wrote.
Later, in an interview with The Independent’s website, she warned that Corbyn could face a leadership challenge if Britain votes to leave the EU because of his failure to mobilise voters for the Remain campaign. “I want to see those Labour voters come out and vote Remain, “ she said. “If they don’t, and we leave [the EU], that is a conversation for June 24... Ultimately there are many of us who think that Jeremy needs to take responsibility,” she said.
I spent the summers packing toothpaste at a factory working where my dad worked and everyone else had gone on a gap yearJo Cox
Helen Joanne Leadbetter, always known as “Jo”, was born on June 22 1974 in Batley, Yorkshire. Her mother, Jean, was a school secretary and her father, Gordon, was a factory worker in Leeds.
Jo was educated at Heckmondwike Grammar School and at Cambridge University, although she did not enjoy the experience, and came to a “realisation that where you were born mattered. That how you spoke mattered... who you knew mattered. I didn’t really speak right or knew the right people. I spent the summers packing toothpaste at a factory working where my dad worked and everyone else had gone on a gap year. To be honest my experience at Cambridge really knocked me for about five years.”
It also led her to joining the Labour Party. After leaving university, she worked for Oxfam, becoming head of policy and was also an advisor to Gordon Brown’s wife Sarah, and Lady Kinnock. She became national chairwoman of Labour Women’s Network and a senior adviser to the Freedom Fund, an anti-slavery charity.
She was selected to fight the safe Labour seat of Batley and Spen at the 2015 election after the previous MP, Mike Wood, announced his retirement, and increased the Labour majority by 2,000 votes.
Jo Cox
Jo Cox 
In Parliament, she became a member of the Communities and Local Government select committee and used her maiden speech to urge the government to match rhetoric about building a “Northern Powerhouse” with action, including more regional devolution and increased funding for local authorities.
“Having gone through that experience of being in a Cambridge college, surviving it and building myself up, meant that coming here (Westminster) was a walk in the park,” she explained to the Yorkshire Post, “ and a lot of the same people are here.”
A keen mountain climber, Jo Cox lived in a converted barge moored at Tower Bridge with her husband Brendan and two young children, Lejla and Cuillin.
On June 16 she was stabbed and shot in the street near to where she held her weekly surgery at Birstall, West Yorkshire. An air ambulance transported her to Leeds General Infirmary but she died of her injuries.
Jo Cox, born June 22 1974, died June 16 2016

Saturday 11 June 2016

Abel Fernández, actor

Abel Fernández as Agent Youngfellow in The Untouchables
Abel Fernández as Agent Youngfellow in The Untouchables
Abel Fernández, who has died aged 85, was a half Yakaii Indian and half Mexican professional boxer who became a successful Hollywood character actor.
From modest beginnings Fernández went on to have a 45-year film career, co-starring opposite Robert Mitchum in Second Chance (1953), Humphrey Bogart in The Harder They Fall (1956) and Gregory Peck in Pork Chop Hill (1959).
He also had something of a cult following on the popular ABC television series The Untouchables (1959-1963), set in 1930s Prohibition-era Chicago, for his role as Federal Agent William “Bill” Youngfellow, a character based on William Jennings Gardner, a real-life Native American member of the Untouchable Federal Squad. “The show was the biggest thing on TV at the time,” Fernández recalled. “Even John F. Kennedy was said to be a fan of mine.”
Abel Fernández and Robert Stack in The Untouchables (1959)
Abel Fernández and Robert Stack in The Untouchables (1959) 
Abel Gonzalez Fernández was born on July 14 1930 in Los Angeles, California. His mother was a Yakaii Indian, and his father was a Mexican. Abel was the youngest of a large family and his mother died giving birth to him.
At the age of 16 Fernández enlisted in the US Army, serving at the end of the Second World War in the 11th Airborne as a paratrooper. He also boxed regularly, often sparring with the heavyweight champion Rocky Marciano.
He went on to win the middleweight boxing championships in the Asiatic forces aged 19 and continued in the sport after his discharge from the army in 1950, winning the Los Angeles Golden Gloves tournament. An almost fatal injury inflicted on an opponent in the ring put paid to his boxing career, however, and so he decided to become an actor instead.
Fernández made his screen debut playing a boxer in Second Chance (1953). Next came the Robert Ryan and Jan Sterling B-movie potboiler Alaska Seas (1954) and, following a contract with Metro-Goldwyn-Mayer, a minor role as an Indian warrior in Rose Marie (1954). He also appeared in the comedy-western Many Rivers to Cross (1955).
Abel Fernández and Peggy Ann Garner in The Untouchables in 1963
Abel Fernández and Peggy Ann Garner in The Untouchables in 1963
By the mid-1950s, Fernández had left MGM and was often finding himself typecast as “the Indian”, “Medicine Man” or “Apache” in such titles as Strange Lady in Town (1955), with Greer Garson, for Warner Bros. He took a leading role as Mangas, the son of an Apache chief who wages war on a disgruntled settler (Peter Graves) in Fort Yuma (1955), and another Apache in The Last Wagon (1956), with Richard Widmark and Susan Kohner. He was Chief Firebird, an Indian boxer who refuses to throw a match in The Harder They Fall.
A flurry of TV shows followed, including Cheyenne; The Adventures of Rin Tin Tin; 77 Sunset Strip; Wagon Train; Gunsmoke; Bonanza and a role as Airman Abel Featherstone on the NBC series Steve Canyon.
On the big screen he appeared in the Bud Boetticher western Decision at Sundown (1957) with Randolph Scott, and the Film Noir The Tijuana Story (both 1957). His career continued with The Untouchables, but also television shows such as Batman and The Big Valley and small roles in films such as Quicksilver (1986) and Buster Bedroom (1991), a black comedy about a woman who is obsessed with the silent film star Buster Keaton.
In 1981, however, despite much hype, plans for a reunion movie featuring Fernández and other original Untouchables cast members failed to come to fruition when Robert Stack declined to reprise his role as Eliot Ness.
Fernandez was inducted into the California Boxing Hall of Fame in 2013.
His last appearance on screen was in 2002 in an episode of a Mexican soap opera. Thereafter he dedicated much of his time to producing films for disadvantaged children.
Abel Fernández was married twice. He is survived by four children.
Abel Fernández, born July 14 1930, died May 3 2016

Wednesday 8 June 2016

Dave Swarbrick, musician

Dave Swarbrick
Dave Swarbrick
Dave Swarbrick, the violinist and singer, who has died aged 75, was one of the most influential folk musicians of the 1970s and 1980s, especially with the group Fairport Convention; in 1999 however, he joined a list of people, including Bob Hope, Mark Twain and Alfred Nobel, whose deaths have been announced prematurely – in Swarbrick’s case in a Daily Telegraph obituary.
The Telegraph, Swarbrick’s paper of choice (“I’m not a Tory but have always had a soft spot for its gung-ho attitude”), had received erroneous information that he had died in his home city of Coventry. When informed that the musician was still alive (though recovering in hospital from a bout of emphysema) the obituaries editor and his staff were said to be “distraught”. Luckily the piece made flattering reading, describing Swarbrick as “a small, dynamic, charismatic figure, cigarette perched precariously on his bottom lip, unruly hair flapping over his face, pint of beer ever at hand, who could electrify an audience with a single frenzied sweep of his bow”
It’s not the first time I’ve died in CoventryDave Swarbick
After the initial shock and apologies Swarbrick could see the funny side, coming out with the priceless one-liner: “It’s not the first time I’ve died in Coventry.”
“After all, I’d enjoyed the text of the obit – it was very complimentary,” he explained. “And it had answered a question I’d often asked myself: whether any paper would bother when I died.” His wife, Jill, said: “He read the obituary and didn’t quarrel with any of the spellings or the facts – apart from the obvious one.”
In fact Swarbrick, or “Swarb” as he was known, went on to turn the newspaper’s error to his advantage, admitting that “I never got half as much attention playing as by dying.”
“In fact,” he told the Oxford Times in 2014, “I photocopied the obits, took them to gigs, signed them “RIP Dave Swarbrick” and sold them for £1. After all, where else are you going to get a signed obituary? I had to stop, though, when The Telegraph got in touch and told me I couldn’t do it as they had the copyright.”
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Dave Swarbrick in 1973
Dave Swarbrick in 1973 CREDIT: REX FEATURES
In 2004, following two SwarbAid charity concerts by his Fairport Convention colleague Dave Pegg, Swarbrick received a double lung transplant and subsequently confounded both the press and medical profession by returning as a leading light on the British folk scene.
David Swarbrick was born at New Malden, Surrey, on April 5 1941. He was first drawn to folk music after taking up the guitar during the skiffle boom of the late 1950s. When he was 16, the pianist Beryl Marriott heard him at a skiffle event and invited him to join a ceilidh dance band. She also persuaded him to have another crack at the fiddle, which he had played as a child but which he had long since consigned to the attic.
In the 1960s Swarbrick was invited to play in some of the sessions of Ewan MacColl’s and Charles Parker’s Radio Ballads — setting stories about Britain’s fishermen, roadbuilders, miners, boxers and travellers to music. Through these he was introduced to Ian Campbell, a Scotsman who was turning his sights on the British folk tradition.
Swarbrick joined the Ian Campbell Folk Group in time to play on their first record, EP Ceilidh At The Crown (1962); he went on to help establish them as stars of the emerging folk club scene. The group had a minor hit with the first British cover of a Dylan song, The Times They Are A Changing. Swarbrick’s reputation rose rapidly, and in 1965 he was invited to play on Martin Carthy’s first album.
The next year he suddenly decided to emigrate to Denmark and marry his Danish girlfriend. With little money and no return ticket, he was detained at the Hook of Holland by customs, and promptly sent home again.
He ended up staying in London with Martin Carthy, with whom he went on to develop an important partnership. The intuitive interplay between Carthy’s guitar and Swarbrick’s fiddle was something entirely new. Their albums, Byker Hill (1967), But Two Came By (1968) and Prince Heathen (1969) broke the mould of traditional song arrangement and opened the door for the fusion of folk and rock.
The Fairport Convention in 1975 : (l-r) Simon Nicol, Dave Pegg, Dave Swarbrick, Dave Mattacks and Richard Thompson
The Fairport Convention in 1975 : (l-r) Simon Nicol, Dave Pegg, Dave Swarbrick, Dave Mattacks and Richard Thompson 
When he was asked to play on a session for Fairport Convention in 1969, however, Swarbrick had never even heard of the band. At that time the idea of an electrified violin was so novel that, in order to create the desired effect, a telephone handset was taped to Swarbrick’s fiddle and connected to an amplifier.
Swarbrick was initially booked for one number only, but he ended up playing on four tracks on Fairport’s Unhalfbricking album (1969) and was invited to join the band full time.
His first album as a fully fledged member of Fairport Convention was Liege & Lief (1969), which broke new ground in marrying traditional songs with rock. Two members of the band, Sandy Denny and Ashley Hutchings, walked out after disputes about the direction of their music. This left Swarbrick and the guitarist Richard Thompson to take their place at the core of the band.
Over the next 15 years Fairport Convention undertook world tours and made more than a dozen albums.After Richard Thompson’s departure in 1970, Swarbrick developed into a surprisingly sensitive songwriter, and also took on the role of lead singer. In 1971 he was the prime creative drive behind Fairport Convention’s most ambitious project, Babbacombe Lee, an album based on the story of John Lee, a convicted murderer who was reprieved after three attempts to hang him at Exeter in 1885 had failed.
Swarbrick remained a constant presence throughout the numerous internal disputes which disrupted Fairport. But continual playing of the electric violin left him virtually deaf in one ear, and in 1984 he decided to retire. During his Fairport years he had also realeased three well- received solo albums, Swarbrick (1976), Swarbrick 2 (1977) and Lift the Lid and Listen (1978).
I’m always amazed to listen to my Fairport stuff. It’s so fast. What was I on?Dave Swarbrick
He now reverted to the acoustic violin as he returned to folk clubs with fellow Fairport member Simon Nicol. In 1986 he formed a new band, Whippersnapper. He also made occasional returns to the Fairport fold, playing at their annual Cropredy Reunion Festival in Oxfordshire. “I’m always amazed to listen to my Fairport stuff,” he said in 2014. “It’s so fast. What was I on?”
In 1988 Swarbrick linked up again with Martin Carthy. They made some successful tours, and produced a couple of fine albums, Life and Limb (1990) and Skin and Bone (1992).  He made cameo appearances in several films, including Far From The Madding Crowd, while his musical adaptation of Babbacombe Lee became the subject of a television documentary. He also spent some years in Australia, working with the guitarist and singer Alistair Hulett, with whom he recorded the impressive The Cold Grey Light (1998), before returning home.
Dave Swarbrick at the Moseley Folk Festival  in 2007
Dave Swarbrick at the Moseley Folk Festival  in 2007
After his double lung transplant, in 2006 Swarbrick started touring again with fellow ex-Fairporter, Maartin Allcock, and Kevin Dempsey – calling themselves, with a wink to the Telegraph’s premature obituary, Swarb’s Lazarus, producing the album Live and Kicking (2006) and appearing at the Cropredy Festival. He played fiddle for Steve Ashley, John Kirkpatrick, Bert Jansch, Pete Hawkes, and the Canadian reggae artist Jason Wilson and his band (an album, Lion Rampant, was released in 2014). He also reignited his partnership with Martin Carthy, with whom in later years he regularly hit the road for an autumn tour.
In 2007 Swarbrick joined the 1969 Fairport Convention line-up, with Chris While standing in for the late Sandy Denny, to perform the whole of the album Liege & Lief, and three years later, in 2010, he joined Fairport Convention on stage for an impromptu performance of Sir Patrick Spens.
In 2010, backed by a stellar array of guest musicians, he released Raison d’être, his first solo album for nearly 20 years. It was reviewed in more than 20 publications, the English Folk Dance and Song Society Magazine describing it as “the work of a fine fiddler who simply refuses to lie down and rest on his not inconsiderable laurels”.
Swarbrick did much work with up-and-coming artists, becoming patron of the Folkstock Foundation, set up to promote young acoustic talent. In April and May 2014, at his personal request, he did a 17-venue tour of Britain, organised by Helen Meissner of the Foundation, supported by the folk trio Said the Maiden, and also featuring young folk artists.
Blunt, funny and charming, after his premature demise Swarbrick went on a receive a clutch of awards. In 2003 he received the Gold Badge from the English Folk Dance and Song Society and the Gold Badge of Merit from the British Academy of Composers and Songwriters.
In 2004 he received a lifetime achievement award in the BBC Radio 2 Folk Awards, and in 2006 Fairport’s Liege & Lief album was voted “Most Influential Folk Album of All Time” by Radio 2 listeners. At the 2007 BBC Radio 2 Folk Awards, he and Martin Carthy won the “Best Duo” Award. In 2012 he received another lifetime achievement award at the 2012 Fatea awards.
Swarbrick, who was married several times, is survived by his wife, the painter Jill Swarbrick-Banks, whom he married in 1999, and by a son and two daughters.
Dave Swarbrick, born April 5 1941, died June 3 2016

Saturday 4 June 2016

Muhammad Ali, boxing heavyweight



Muhammad Ali seen knocking out Sonny Liston
Muhammad Ali knocks Sonny Liston to the canvas in the first round of their 1965 World Heavyweight title fight 
Muhammad Ali, who has died aged 74, called himself the greatest and made good the claim, not merely as the most talented world heavyweight boxing champion, but also as one of the most irresistible and compelling personalities of his age.
If his emergence as a symbol of political and racial protest was rather more specious, Ali became the most universally recognised figure in the world. And unlike so many other icons of the Sixties - John and Robert Kennedy, John Lennon, and Martin Luther King - he survived the hostility he aroused.
His tragedy, rather, was that his long career in the ring reduced him to a physical wreck, albeit a greatly loved physical wreck. “Hell, even people who don’t like Ali like Ali now”, it was observed in the 1990s. In 2005 George W Bush bestowed upon him the Presidential Medal of Freedom. Poll after poll recorded that he was regarded as the most influential sportsman of the century.
Yet when he first burst upon the scene in the 1960s, as Cassius Clay, he appeared as the most outrageous braggart ever to have adorn a boxing ring. “If Liston even dreamed he could beat me,” he taunted the world heavyweight champion, “he’d wake up and apologise.”

Muhammad Ali

“I’m so fast,” he would explain, “that I can turn light off and be in bed before the bulb goes out.”
His admirers warmed to the high spirits and good humour that underlay his unremitting self promotion, and loved him the more for taking such huge delight in his own act. But American boxing commentators - men who had blithely ignored the gangsterism that surrounded the sport - fulminated against the upstart for undermining what they conceived as the dignity of the ring.
It gradually became evident, however, that Clay possessed the talent to match his own hype. In the first stage of his stage of his career, it was difficult to lay a glove on him. If Henry Cooper succeeded in knocking him down at the end of round four of their fight in 1963, that was largely because Clay was fooling around prior to fulfilling his prediction that the British boxer would fall in five.

Clay fooling around in the ring ahead of his fight against Henry Cooper 
Clay fooling around in the ring ahead of his fight against Henry Cooper  
Clay’s mantra, that he would “float like a butterfly, sting like a bee” was an accurate description of his boxing style. In his prime he would glide effortlessly around the ring with his hands down, casually swaying out of the way of fearsome blows, and countering with lightning punches from all angles.
Even so, before Clay fought Liston for the world championship at Miami Beach on February 25 1965, the experts were virtually unanimous that he would receive his comeuppance. The result seemed so inevitable that the arena was only half full.
Liston was a terrifying figure, who had scored even more knockout victories than he had served prison sentences. Clay privately admitted that he was scared; in public, though, he redoubled his braggadocio and baiting, turning up at Liston’s training camp with a lasso, to go “bear hunting”.
“I’m going to put that ugly bear on the floor,” he boasted, “and after the fight I’m gonna build myself a pretty home and use him as a bearskin rug. Liston even smells like a bear. I’m gonna give him to the local zoo after I whip him.”

Cassius Clay throwing a punch during a fight
Cassius Clay during his fight against Liston  
“This will be the easiest fight of my life,” he assured incredulous reporters. “I’m too fast. He’s old. I’m young. He’s ugly, I’m pretty.” And he produced some new verses for the occasion:
Who would have thought  When they came to the fight  That they’d witness the launching  Of a human satellite.
Liston, never loquacious even in his rare moments of affability, could only promise pain and destruction. At the weigh-in it seemed that Clay was breaking down in hysteria as, with his pulse beating at twice its normal rate, and his eyes rolling, he shrieked insults at Liston.
But when the fight began Clay proved, gloriously, as good as his boasts. Surviving a desperate fifth round when he was blinded by some mysterious substance, he completely demoralised Liston, and by the sixth round was hitting him at will. The supposedly unbeatable champion failed to appear for the next round. “Eat your words,” Clay screamed triumphantly at the hacks from the ring.

Cassius Clay seen yelling as he leaves the ring after a victory
A victorious Clay yells at journalists as he leaves the ring  
On the morrow he gave the assembled scribes fresh cause for grievance him by declaring that he had become a Black Muslim. He was renouncing his “slave name”, and would thenceforward be known as Muhammad Ali.
In fact he had been involved with the Nation of Islam since 1959. Before the Liston fight, Malcolm X, the movement’s most charismatic figure, had been at Miami Beach to instil the challenger with a sense of destiny. “Do you think Allah has brought about all,” Malcolm X demanded, “intending for you to leave the ring as anything but champion?”

Muhammad Ali with Malcolm X
Muhammad Ali with Malcolm X
The Black Muslims were dedicated, under their leader Elijah Mohammad, to the separation of the black from the white race. White civilisation, they believed, was the product of the devil’s race, and Christianity was the means whereby they maintained their domination.
From such doctrines Ali now claimed to draw his spiritual sustenance. He became scathingly dismissive of what he called “Uncle Tom” negroes, and cast himself as folk hero to underprivileged American blacks who found a role model in his cocky and confident demeanour.
“I had to prove you could be a new kind of black man,” he would say years afterwards. “I had to show the world.” This meant taunting even black opponents - Joe Frazier, George Foreman, Ken Norton - with being great white hopes.

Yet no one who knew Ali could believe for a moment that he really hated whites. His membership of the Black Muslims was a shameful inconsistency, another of the myriad paradoxes that formed his character.
The accomplished chat show performer, full of charm and wit, and razor-sharp with his repartee, could turn on the instant into a ranting religious lunatic. The high-minded Muslim, given to expressing disgust at the provocative dress of white women, was a promiscuous womaniser with a penchant for foul-mouthed jokes.
The supreme practitioner of the most brutal of sports continued to pride himself - and with some reason - on being “the prettiest”. The most joyous of pranksters, a man who genuinely loved children, handed out a vicious beating in the ring to an incapacitated Ernie Terrell - merely because Terrell had insisted on calling him “Clay” rather than “Ali”.

Muhammad Ali with his hands up in the air after defeating Ernie Terrell
Muhammad Ali defeating Ernie Terrell 
In 1966 Ali put himself further beyond the bounds of white American respectability when he used his Black Muslim religion to claim the status of a conscientious objector and refuse call-up into the American army. “Man,” he told reporters, “I ain't got no quarrel with the Vietcong”.
The issue had at first been avoided, for in 1964 Ali had been adjudged unfit for military service after failing a mental aptitude test. But when, under the pressure of the Vietnam war, standards were lowered, Ali was reclassified as fit for the draft.
Even then, he could certainly have negotiated a deal with the army whereby he would have been allowed to pass his national service giving exhibition bouts without any combat duty. But having once nailed his colours to the mast he rejected compromise.
Rather, he linked his opposition to the war with his stand on civil rights. “Why,” he demanded, “should they ask me to go 10,000 miles from home and drop bombs and bullets on brown people while so-called Negro people in Louisville are treated like dogs?”
In April 1967 he refused to take the symbolic step forward when summoned to Houston for induction into the army. One hour later the New York State Athletic Commission stripped him of his licence to box, and other boards soon followed suit.
In June, after a Houston jury had found him guilty of draft evasion, he was sentenced to five years in prison and a fine of $10,000. The court also took away his passport, making it impossible for him to fight abroad.
The extended appeals process ensured that the only jail sentence Ali served was for ten days in 1968 - and that for driving without a licence. He was, however, banned from the boxing just when he was at his absolute prime.

Muhammad Ali being escorted from the Armed Forces Examining and Entrance Station by officers
Ali is escorted from the Armed Forces Examining and Entrance Station in Houston, Texas, after refusing Army induction 
When Ali returned to the ring in 1970 it was immediately evident that he had lost the ability to keep up his speed for more than a round or two at a time. On the other hand his will and self-belief were as strong as ever, while his experience and cunning enabled him to maintain a psychological advantage over most opponents.
He also made the ultimately disastrous discovery that he could take a punch - indeed, almost any punch. In place of the quicksilver artist who was hardly ever hit appeared a man of unconquerable pride and superhuman courage, who for years unflinchingly absorbed punishment from the hardest hitters in the world.

Muhammad Ali fighting against George Foreman
The Rumble in the Jungle, Ali v Foreman
His bravery ensured some of the most brutal and exciting fights ever seen - notably the three bouts against Joe Frazier, and “the rumble in the jungle” in 1974 against George Foreman. It also led to his destruction.
By 1978 he retained only the shadow of his former skills, and his speech was already slurred. In that year he lost the heavyweight championship to Leon Spinks, a relative novice of only seven professional fights. By a herculean effort he regained the title from Spinks seven months later - the first time anyone had won the championship on three separate occasions.
After that Ali at last retired, but in 1980 - missing the fame, wanting the money, still searching for glory - he insisted on making a comeback to fight the new world champion, Larry Holmes.

Muhammad Ali in the ring fighting against Larry Holmes
Ali returns from retirement to face world champion Larry Holmes 
The match was always madness, and Ali’s difficulties were compounded by a doctor who prescribed a drug which drained him of all energy. He took a terrible beating before the fight was stopped in the tenth. Yet in 1981 he submitted to further torture, losing on points to Trevor Birkbeck before finally accepting that his career in the ring was over.
As the 1980s wore on Ali’s face, which had once radiated joie de vivre, became a flat, lifeless mask. He suffered from permanent fatigue, his mouth drooled saliva, a tremor developed in his hand. In 1984 he was diagnosed as suffering from post-traumatic Parkinsonism caused by injuries sustained from boxing.
It is easy to reflect that wiser counsels would have forced his retirement from boxing five years earlier. But then wisdom had never played any part in Ali’s extraordinary career. The valour and the fathomless self-belief that drew him to his doom were precisely the qualities which had propelled him to the summit.
Muhammad Ali was born Cassius Marcellus Clay at Louisville, Kentucky on January 17 1942, the elder son of Cassius Marcellus Clay senior, a sign painter. His paternal ancestors were probably slaves, but his mother Odessa Grady Clay had a white grandparent, an Irishman named Abe Grady from County Clare, and a white great-grandfather called Moorehead, who had married a slave named Dinah.
From infancy the boy showed extraordinary energy, confidence and panache. He started boxing at 12, after his bicycle had been stolen, and a policeman called Joe Martin persuaded him that the sport offered the best hope of chastising the offender.

Cassius Clay pictured as boy training with Johnny Hampton
A young Cassius Clay training with Johnny Hampton 
At first it seemed that he would be merely an average boxer, but he trained with unremitting dedication, and was always exceptionally fast, able to avoid punches by reflex. So rapidly did he advance that by 18 he had won six Kentucky, and two National Golden Gloves championships.
At Louisville Central High School Clay’s record was less impressive; he only just scraped the marks required to graduate, while intelligence tests placed him in the bottom quarter of the school.
Selected for the 1960 Olympics as a light-heavyweight he at first refused to go to Rome because he was afraid of flying. But once there he made himself immensely popular in the Olympic village. He also carried off a gold medal, which (according to the legend) he symbolically threw away on his return, after being excluded from a hamburger joint in Louisville.
But Clay was already set on his destiny. In New York after his return from Rome, he had newspapers printed with the headline “Clay signs to fight Patterson”, the world heavyweight champion. At Louisville a group of millionaires formed a syndicate to finance his first years as a professional boxer.
In October 1960 he won his first professional fight on points, after which he was sent to train with Archie Moore, light-heavyweight champion of the world. But Clay decided Moore had nothing to teach him, and at the end of 1960 began began working with Angelo Dundee, who would be his trainer for the rest of his career.

Muhammad Ali with his trainer
With his trainer Angelo Dundee  
There were no scares in his early fights, all of which he won easily. More significantly, when he sparred with Ingemar Johansson, the former world heavyweight champion was unable to touch him, least of all when maddened by Clay’s taunts of “Come and get me, sucker”.
Clay’s bragging owed something to a meeting in 1961 with a wrestler called Gorgeous George, who used to promise that he would crawl across the ring if his bum of an opponent should beat him. Clay took up the style. That year he became a television attraction, and began predicting - with remarkable success - the rounds in which his opponents would fall.
One of them, in 1962, was Archie Moore: “that old man will fall in four,” Clay opined, “I’m here to give him his pension plan.” The prophecy was correct. But he failed to fulfil his prediction to dispose of Doug Jones in six, only narrowly winning a points decision.

Muhammad Ali

The triumph over Liston came in Clay’s 20th professional fight. Having announced his conversion to the Nation of Islam, the new world champion departed to Africa to discover his roots.
In May 1965, when he defended his title against Liston, and knocked him out in the first round, many felt that the challenger had taken a dive. Later that year Ali disposed of Floyd Patterson in the 12th.
Even before Ali’s conviction in 1967 for refusing the draft, his dispute with the army made it difficult to find places in America where the authorities would allow him to fight. So he went to Toronto in the spring of 1966 to beat a bruiser called George Chuvalo, and that summer crossed the Atlantic to confront Henry Cooper (for the second time), Brian London and Karl Mildenberger.
None of these opponents caused him much trouble.

Muhammad Ali surrounded by a crowd 
Ali leaving his London hotel in 1966 
That autumn, when his contract with the Louisville consortium expired, Ali further alienated himself from the boxing establishment by appointing Herbert Muhammad, Elijah’s son, as his new business manager.
In November 1966 the Texan authorities permitted a fight at the Houston Astrodome against Cleveland Williams. Watched by the largest indoor crowd (35,460) in the history of boxing, Ali put on a superb display, destroying Williams in three rounds.
Next came the disgraceful fight against Ernie Terrell; then in March 1967 Ali re-emphasised his supreme skill by knocking out Zora Folley in the seventh round. That was his peak as a boxer. He would not fight again for three and a half years.

Muhammad Ali in the ring against Zora Folley
Ali's fight against Zora Folley 
Away from the ring, Ali enjoyed earning money on the college lecture circuit, where he was an immense success - though he tended to turn a talk on some general topic such as “Friendship” into a question-and-answer session about who was the true heavyweight champion of the world.
He also appeared in a documentary film called A/K/A Cassius Clay, which came out in 1970; acted a fight with Rocky Marciano for the benefit of the television cameras (in the American version Marciano won; in the British version he lost on cuts); and won favourable notices when he played the lead in a musical called Buck White on Broadway.

Muhammad Ali dressed in costume for his Broadway musical
Muhammad Ali in costume for his acting debut in the Broadway musical Buck White  
Ali’s absence from the ring was the harder for him because he found himself ostracised by Elijah Muhammad. Early in 1969 Ali remarked on television that he would go back to boxing if the money was right. To Elijah Muhammad that was tantamount to saying that he was giving up his religion for the white man’s money. Ali was not rehabilitated until 1975, just before Elijah Muhammad’s death; nevertheless he remained loyal to his religious leader.
Meanwhile attitudes to the Vietnam war had been changing, so that statements which had been judged treasonable in 1966 now appeared simply as constructive opposition. In 1970, even before the Supreme Court had made any final pronouncement on Ali’s case, the state of Georgia permitted a bout between Ali and Jerry Quarry.
The fight, in October 1970, was stopped by a cut over Quarry’s eye in the third round. But cognoscenti noticed that Ali, after dancing in the old manner in Round One, had looked slow and vulnerable.
That December he was no more impressive against Oscar Bonavena. Though he finally won by a knockout in the 15th round, he absorbed more punishment than ever before.

Muhammad Ali after a fight against Oscar Bonavena
At the end of his gruelling fight against Oscar Bonavena 
If Ali had been canny he would have delayed the inevitable confrontation with the world heavyweight champion, Joe Frazier. But with the Supreme Court’s judgement still pending, there was every possibility that he might be in jail within months. He therefore seized the chance to fight Frazier at Madison Square Garden on March 8 1971.
For once Ali encountered an opponent as psychologically strong as himself. It was a savage contest; and in the 11th round Frazier established a decisive advantage, which won him the fight. Even so, when Ali, completely exhausted, was hit flush on the jaw by a thundering left hook in the 15th round, he was up instantaneously.

Muhammad Ali fighting against Joe Frazier
The 1971 bout against Joe Frazier 
Three months later the Supreme Court discovered a technical argument by which the case against Ali could be dropped without creating a precedent that might be used by other draft dodgers. Frazier, though, was in no hurry to offer a return bout.
Over the next three years Ali beat ten opponents in a row - Jimmy Ellis, Buster Mathis, Jurgen Blin, Mac Foster, George Chuvalo (again), Jerry Quarry (again), Al “Blue” Lewis, Floyd Patterson (again), Bob Foster and Joe Bugner.
Yet, though he called himself the People’s Champion these performances left no certainty that he would ever be the real one. Then in March 1973, overconfident and undertrained, he encountered Ken Norton.
Ali’s jaw was broken in the second round, and though with incredible bravery he struggled through the remaining ten rounds he lost the bout. But what looked like the end of his career turned out to be the prelude to its most glorious phase.

Muhammad Ali fighting against Ken Norton
Despite suffering a broken jaw in the second roud, Ali finished the fight against Ken Norton 
After six months recuperation he beat Norton on points. In January 1974, at Madison Square Garden, he won his second battle against Joe Frazier, and in October of that year, in Kinshasa, Zaire, he triumphed over the seemingly unbeatable George Foreman.
Everybody had expected Ali to try to escape Foreman’s punches. But when he found himself feeling tired after the first round he simply lay on the ropes and invited the world heavyweight champion, universally feared for the power of his punches, to hit him.
Then, in the eighth round, when Foreman was exhausted, Ali launched a sudden counter attack and knocked his opponent out. After seven years he was world champion again.

Muhammad Ali fighting against George Foreman
Ali taking advantage of an exhausted Foreman  
In the next three years he successfully defended the title 10 times. But there was only one more great fight, the “thriller in Manila” against Joe Frazier in October 1975. Frazier really hated Ali, who never lost an opportunity to mock him as a gorilla, and this fight transcended even their two previous bouts in unrelenting aggression.
Though Frazier was forcibly retired by his corner with one round to go, Ali said afterwards that the contest had been the closest thing to death that he knew of.
It did not help either that, before the fight, Ali had fatally compromised his second marriage to the long suffering Belinda by taking his stunning mistress Veronica Porche to President Marcos’s palace, as though she were his wife.
After Manilla, Ali’s decline in the ring was rapid. The last knockout victory he scored was against the British fighter Richard Dunn in May 1976.
Sixteen months later he was badly hurt in a bout with Ernie Shavers, though he contrived to to hold on to gain a points decision. The warning went unheeded, and Ali continued self-destructively into the disastrous final phase of his career.

Muhammad Ali throws a punch at Ernie Shavers
The fight against Ernie Shavers
His final record was 56 wins (including five knockouts) against five defeats. In retirement he spent most of his time on his farm at Berrien Springs, Michigan, devotedly cared for by his fourth wife, Lonnie. Though he had earned more in the ring than all previous heavyweights combined, he was now no more than comfortably off.
For two decades Ali had kept scores of hangers-on, while his generosity to charities knew no bounds. He gave his time as well as his money, and without wearing his heart on his sleeve established an instant rapport with the sick and the poor.
Much of his fortune went to the Black Muslims. After the death of Elijah Muhammad in 1975, his son Wallace Muhammad turned the movement into more moderate courses, refuting the notion of black superiority, and dropping the demand for a separate state for blacks.
Ali was wholly in sympathy with these changes. As his health gave way his religion deepened; by his own reckoning he only became a true believer around 1983.
Every morning he rose at five to pray and to study the Koran. “Everything I do now, I do to please Allah,” he said around 1990. “I conquered the world, and it didn’t bring me true happiness. The only true happiness comes from honouring and worshipping God.”

Muhammad Ali praying
The former world heavyweight boxing champion praying in the mosque he built at his former training camp in Deer Lake, Pennsylvania 
Those who saw Ali struggling to control his violently shaking left arm in order to light the Olympic torch at Atlanta in July 1996 might have interpreted the scene as a terrible example of the havoc which the Furies wreak on those who have presumed too far. The fastest of all heavyweights could hardly move; the Louisville Lip was scarcely capable of coherent conversation.
Yet that was only half the story. At the end of the Olympic Games Ali was presented with a new gold medal to replace the one he had thrown away in 1960. As he showed the gleaming disc to each section of the crowd and laboriously kissed it for their benefit, he inspired waves of affection throughout the world.

Muhammad Ali holds the torch at the 1996 Olympic Games
Ali holds the torch aloft at the 1996 Olympic Games
The incident recalled the tribute which his old antagonist George Foreman had paid a few years before. “People talk about Muhammad now, and they say, 'Man, he’s sick. Don’t you feel sorry for him?’ And I say to those people, 'Hey, Muhammad Ali is still the greatest show on earth.’”
Perhaps Foreman was over-sentimental, but the extraordinary personality which had lifted Ali to the heights was still unbowed in misfortune.
Muhammad Ali married first, in 1964 (dissolved 1966), Sonji Roi. He married secondly, in 1967 (dissolved 1976) Belinda Boyd; they had three daughters and a son. He married thirdly, in 1977 (dissolved 1986), Veronica Porche; they had four daughters. He married fourthly, in 1986, Yolanda (“Lonnie”) Williams; they adopted a son. Ali’s youngest daughter Laila is a woman boxer and was (at her retirement in 2007) the unbeaten super-middleweight champion of the world.
Muhammad Ali, born January 17 1942, died June 4 2016